Cyrus Khajavi
Born in Ghoochan in the province of Khorasan (North Eastern Iran), my earliest and
most vivid musical memories are my mother's lullabies. Although I am not sure if they
ever made me go to sleep, I do know that they always made me feel sad. My childhood
was filled with the sights and sounds of north Khorasan, a mountainous region
populated by many different ethnic groups. This of course meant an incredible
linguistic and cultural diversity. The folkloric music of Khorasan, often about folk
heroes struggling against the injustices of the time, or the daily chores of nomadic
life, or events in local history such as battles and disasters, is ultimately always
about love; usually unfulfilled love. Along with my mother's singing in Azerbaijani
(a kind of Turkish), the rhythmic chanting of religious processions with their chains
and cymbals, and the happy sound of street musicians and wedding bands, these were the
sounds of my childhood.
As a teenager in the late 1960/s, I discovered The Beatles and fell in love with the
music and its energy. I spent the next few years listening to Western rock music.
Having learned to play some simple chords on the guitar, and being able to strum along
as I sang, the idea of becoming a musician began to seem like a possibility.
In 1974 I came to England to study for a career in civil engineering, which was
considered a "wise move'. The morning after my arrival, however, I bought my first
guitar. Civil engineering was the last thing I had in mind. In 1980, having spent
the preceding six years playing, writing, and learning (a process, which is still
going on), I joined my first serious rock band Quasar. The following six years or so
were spent touring and recording. In 1987 I met the Iranian singer-songwriter Toofan
and started a collaboration, which lasted two years. During this time I met Farzad
Khavand, a classical violin player, who was looking for a different direction and
liked what we were doing. In 1989 I wrote my first Iranian album Baran and invited
Farzad to join me in what was to become the band Kooch.
The six years between 1993 and 1999 were a temporary pause in the continuing story of
Kooch (a very long one). During this time I studied composition and Classical guitar
at Bath College of Higher Education (BCHE) and obtained an honours degree in music. I
also spent a lot of my time teaching music both at colleges/schools and privately.
Although I wrote several pieces for small ensembles, choirs and solo instruments
during these years, writing a new album for Kooch and re-starting the band was always
my dream. Having written enough material for the new album Zemzeme and raised enough
money to record the album (playing original music is a very expensive business), it
was time to get serious.
To record this album, what was required was the power, drive, and punch of rock as
well as a kind of sensitivity and subtlety, which is not always synonymous with rock
music. Luckily I knew the very people, who could offer these qualities. Kooch was a
reality again and the recording could start. We finished recording Zemzeme in the
summer of 2000 and did our first gig with the present line up on Dec 10 in Bristol
(England).
I still live in England and do the usual things. My hobbies apart from watching TV
and reading are golf and snooker, but my main passion is football (soccer). My
favourite teams are the Iranian national team and Arsenal.
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